Yale University’s current quartet in residence, the Brentano Quartet, brings to PCMS a program highlighting the “fugue” and in particular it is the philosophical bent of fugal part writing which lends its compelling rhetoric to this concert. In Beethoven’s late C-sharp Minor masterpiece (Op. 131) he tosses convention aside by casting this work in seven continuous sections rather than the traditional four. In a similar vein Shostakovich’s final completed quartet (Op. 144) is a somber, six-movement work known for its profound melancholy and lack of pauses, creating a single, brooding dramatic arc.
Program
Shostakovich
Fugue in E-flat Minor, Op. 87, No. 14 (Arr.)
Shostakovich
Quartet No. 15, Op. 144
J.S. Bach
Fugue in C-sharp Minor, BWV 849 (Arr.)
Beethoven
Quartet in C-sharp Minor, Op. 131